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2009 Course Listings

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Summer NU | College Prep | Field Studies
SCS Home  >  Summer Session  >  Special Programs  >  Art and Craft: the Northwestern Summer Writers' Conference 2009

Art and Craft: the Northwestern Summer Writers' Conference 2009

Conference Schedule
August 12 - 14, 2009

 

Wednesday 8/12

Thursday 8/13 Friday 8/14
8:30am

 

Coffee & Registration
UNIVERSITY HALL 121
Coffee & Registration
UNIVERSITY HALL 121
Coffee & Registration
UNIVERSITY HALL 121
9-10am Faculty Panel A
Publishers Point of View: Inside Publishing
David Standish, Anne Gendler
UNIVERSITY HALL 102
Faculty Panel A
Writers in Cyberspace
TBA
UNIVERSITY HALL 102
Faculty Panel A
Writers Point of View: How I Got Published
TBA
UNIVERSITY HALL 102
Faculty Panel B
Applying to the MA/MFA Program
Reginald Gibbons
UNIVERSITY HALL 101
Faculty Panel B
Chicago Literary Scene
TBA
UNIVERSITY HALL 101
Faculty Panel B
Online Publishing
TBA
UNIVERSITY HALL 118
Faculty Panel C
Writing for Children/Young Audiences
Jim Aylesworth, Carolyn Crimi, Laurie Lawlor, Deborah Kraus (mod.)
UNIVERSITY HALL 101
Faculty Panel C
Crafting the Non-fiction Book Proposal
Kevin Davis, Alex Schwartz
UNIVERSITY HALL 122
Faculty Panel C
Submitting and Publishing Fiction with Literary Journals
Garnett Kilberg Cohen
UNIVERSITY HALL 122

10-10:15

Coffee break
UNIVERSITY HALL 121
Coffee break
UNIVERSITY HALL 121
Coffee break
UNIVERSITY HALL 121
Morning Sessions

10:15am-12:45pm
Workshop A
Experiments in Prose
Peggy Shinner
UNIVERSITY HALL 122
Workshop A
Parasitic Writing
Daniel Borzutzky
UNIVERSITY HALL 122
Workshop A
Fiction: Finding the Story
Garnett Kilberg Cohen
UNIVERSITY HALL 118
Workshop B
Writing the Spiritual Essay
Michael McColly
UNIVERSITY HALL 118
Workshop B
Discovering the Soul of Your Character
Roger Rueff
UNIVERSITY HALL 101
Workshop B
Not Me: Creative Non-Fiction without the "I"
Sandi Wisenberg
UNIVERSITY HALL 101
Workshop C
Storytelling
Rives Collins
UNIVERSITY HALL 101
Workshop C
Travel Writing
Michele Morano
UNIVERSITY HALL 118
Workshop C
A Memoir is More than Written Memories
Michele Weldon
UNIVERSITY HALL 122
Workshop D
Children's Books
Jim Aylesworth
UNIVERSITY HALL 122
Workshop D
Fiction: The Art of Sentences
James O'Laughlin
UNIVERSITY HALL 118
Workshop D
Capturing Character
Kevin Davis
UNIVERSITY HALL 101
12:45-2:00pm Lunch on your own
Book Sale and Signing in University Hall 121
Lunch on your own
Book Sale and Signing in University Hall 121
Lunch on your own
Book Sale and Signing in University Hall 121
Afternoon Sessions

2:00-4:30pm
Workshop A
Insta-React: Children's Picture Books
Carolyn Crimi
UNIVERSITY HALL 122
Workshop A
Fiction: A Lot Less-the Short-Short Story
TBA
UNIVERSITY HALL 118
Workshop A
Fiction: The Art of Dialogue
TBA
UNIVERSITY HALL 101

Workshop B
Insta-React: Fiction
James O'Laughlin, M.M.M. Hayes
UNIVERSITY HALL 118

Workshop B
Building Characters
Jodi Cohen
UNIVERSITY HALL 101
Workshop B
Writing in Today's Marketplace
Ellen Placey Wadey
UNIVERSITY HALL 118
Workshop C
Insta-React: Non-Fiction
S.L. Wisenberg, TBA
UNIVERSITY HALL 101
Workshop C
Fiction: First Chapter/Pages Diagnostic
TBA
UNIVERSITY HALL 122
Workshop C
Freelancing
Miles Harvey and Kevin Davis
UNIVERSITY HALL 122
Workshop D
Writing the YA Novel
Laurie Lawlor
UNIVERSITY HALL 122
Workshop D
Nonfiction: First Chapter/Pages Diagnostic
Alex Schwartz
UNIVERSITY HALL 118
Workshop D
Telling What Happened: Diary Writing
Cornelia Spelman
UNIVERSITY HALL 101
4:30-5pm Book Sale and Signing in University Hall 121 Book Sale and Signing in University Hall 121 Book Sale and Signing in University Hall 121
5:00-7pm Opening Reception and Conference Keynote
Patrick Somerville
McCORMICK TRIBUNE CENTER Forum
Reception and Faculty Reading
Angela Jackson and S.L. Wisenberg
McCORMICK TRIBUNE CENTER Forum
Reception and MFA Student Reading
McCORMICK TRIBUNE CENTER Forum

PROGRAM DESCRIPTIONS

The Joy Joy Joy of Repetition
S.L. Wisenberg

Our bodies and our lives are based on repetition--from the beating of our hearts to the brushing of our teeth. In this workshop we will ponder repetition in our lives and work, and explore ways that we can use it as a source for writing. Repetitious tasks often become rote. How can we break open Habit and see afresh? We will also examine repetition as a key part of written work; writers use it variously as muse, chorus, unifier, structural element, appeal to the senses, and more. We will read successful examples of prose and poetry that make sure of repetition, and then write in class. We'll also talk about ways that various forms of repetition can restrict as well as liberate us. We will read published examples aloud, write, and brainstorm. This is for writers at all levels.

Friday 2:00 pm - 4:30 pm Workshop D
Telling What Happened: Diary-Writing
Cornelia Spelman

"Looked at broadly," wrote the late writer and New Yorker fiction editor William Maxwell, "what happened always has meaning, pattern, form, and authenticity." Brenda Ueland, author of If You Want to Write, advised us to "write freely, recklessly." In this workshop, diary-writing is valued as its own genre, but also as a writer's cupboard, from which fiction, non-fiction, and poetry can be created. Diary-writing and diary-reading are also therapeutic, offering a form of Freud's famous "talking cure." Participants will examine and discuss diary excerpts from both ordinary and well-known people, and are invited to bring a paragraph from their own diaries. A bibliography of diarists will be provided.

Thursday 10:15 am - 12:45 pm Workshop D
Workshop: The Art of Sentences
James O'Laughlin

Beginning fiction writers often set their sights on finishing a story, on resolving the story's tensions, on moving their character through some kind of change. But they often forget what writers often remind us is at the heart of their craft: sentences. From Gustave Flaubert to contemporary American short story writer Charles D'Ambrosia, fiction writers have often asserted that writing sentences is what they really do. In this workshop, we'll look closely at sentences to see how they build fictions, or how, to use Eudora Welty's phrase, writers "make reality real" with sentences. We'll look closely at form, at interconnections between structure, length and rhythm, to see how individual sentences pull readers in, and create a plausible, believable world. We'll discuss examples from a wide range of story writers and also excerpts from Tufte's Artful Sentences and Le Guin's Steering the Craft.

Wednesday 2:00 pm - 4:30 pm Workshop A
Insta-react with children's book author Carolyn Crimi
Carolyn Crimi

Award-winning children's book author Carolyn Crimi will critique picture books during this interactive workshop. The first part of the session will be devoted to the dos and don'ts of picture books. The second part of the session will focus on critiques. Please bring two copies of your picture book manuscript to share in class. Manuscripts should be no longer than four, double-spaced pages.

Friday 10:15 am -12:45 pm Workshop A
Finding the Story
Garnett Kilberg Cohen

How does a writer find and generate material to write about? And, once the material is located, how does a writer go about mining and shaping the material into a compelling narrative? This seminar will devote time to both of these questions. Also, about one fourth to one third of the session will be spent writing in response to creative prompts. Class participants are also free to bring in a piece that they have already written, and would like to see discussed (whether or not these pieces are uses in the session will depend on time constraints), and everyone will have an opportunity (if he/she chooses) to have at least a portion of his/her in-class work critiqued.

Friday 10:15 am -12:45 pm Workshop B
Not Me: Creative Nonfiction Without the "I"
S.L. Wisenberg

So often we think of creative nonfiction as memoir, as a record of the experience of the author. This workshop will serve as introduction to creative nonfiction that has voice and point of view, but is not about the life and travails of You. We will look at and discuss examples, brainstorm, and write a few beginnings.

Thursday Workshop B
Building Characters
Jodi Cohen

"How you do what you do is who you are." Joe Bill, Annoyance Theatre
Someone who's chopping vegetables madly or in a dreamy trance creates two different scenarios. In this workshop we'll explore what characters do, how they do it, and how that reflects on their attitudes and emotions and ultimately what's at stake. Using simple writing exercises we'll apply improv principles of working with our ideas, noticing where an idea takes us and letting our work change moment to moment. Come with a character you want to examine more closely or create characters in the workshop. Unlike previous Improv for Writers workshops, this one will be solely sitting and writing.